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The relationship between the body and the material is at the core of my work - whether working on large aluminium panels with thinned oil paint or thick oil pastels on paper.

 

Layers of paint are poured, pulled, pushed and inscribed as

I transfigure the body into a dynamic material that slides between solid and fluid, representational and abstract.

 

The fragments and close-ups of the body’s surface become signifiers of the bodily and emotional self that is always in flux and resists externally derived narrative, definition and categorisation. 

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“Nothing is fixed. The pulse of existence, the heart of the universe, is fluid.” (Gloria E. Anzaldúa) 

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